公主新娘1987

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主演:加利·艾尔维斯,罗宾·怀特,曼迪·帕廷金,比利·克里斯托,华莱士·肖恩,克里斯·萨兰登

类型:电影地区:美国语言:英语年份:1987

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 剧照

公主新娘1987 剧照 NO.1公主新娘1987 剧照 NO.2公主新娘1987 剧照 NO.3公主新娘1987 剧照 NO.4公主新娘1987 剧照 NO.5公主新娘1987 剧照 NO.6公主新娘1987 剧照 NO.13公主新娘1987 剧照 NO.14公主新娘1987 剧照 NO.15公主新娘1987 剧照 NO.16公主新娘1987 剧照 NO.17公主新娘1987 剧照 NO.18公主新娘1987 剧照 NO.19公主新娘1987 剧照 NO.20

 剧情介绍

公主新娘1987电影免费高清在线观看全集。
  故事从慈祥的爷爷给生病的孙子讲故事说起,爷爷带来一本厚厚的童话故事书《公主新娘》。这个世代相传的童话故事讲述了一段爱与冒险的真爱故事。善良美丽的少女布卡特(罗宾·怀特 Robin Wright 饰)住在宁静的小村庄弗洛林,她与少年维斯特雷(加利·艾尔维斯 Cary Elwes 饰)青梅竹马两小无猜,两人很快陷入热恋。然而贫穷的维斯特雷希望给布卡特更好的生活,于是扬帆远航离开了村庄。但是维斯特雷的船并没有到达目的地,传言说他死在了海盗的手里。五年后,伤心欲绝的布卡特成为了王子胡姆普丁克(克里斯·萨兰登 Chris Sarandon饰)的未婚妻,可她并不爱他,她的心里仍苦苦思念着真爱维斯特雷。一次意外让布卡特再次遇见了维斯特雷,然而邪恶的王子却绑架了布卡特,并逼迫她嫁给自己。此时的维斯特雷已是一位勇敢强壮的海盗,为救真爱,他与武艺超群的剑客埃尼戈·蒙托亚(曼迪·帕廷金 Mandy Patinkin饰)、力大无比的巨人菲兹克(安德烈·捷安特 André the Giant饰)一起踏上了拯救公主之路。  本部童话式爱情冒险电影《公主新娘》,荣获1988年第60届奥斯卡金像奖最佳原创歌曲提名,1987年第12届多伦多国际电影节人民选择奖-最佳故事片奖以及1988年第15届美国电影电视土星奖最佳奇幻电影。吾乃母亲凹凸世界第二季女子无畏第二季宝贝徘徊星球大战:帝国传说我们的浩瀚宇宙心灵的阴影月亮上的男人1999波塞冬公理情人节前7天致命密函离别心事温柔的杀戮少女☆歌剧 Revue Starlight -The LIVE-#2 Transition重耳传奇家有九凤犯罪记录第一季疯狂老爹完美婚礼盒子里有猫腻美食的俘虏国语天赐良缘少林与武当1985幸运卢克之雏菊镇关于我的真相出差十五夜第二季亲爱的孩子向上人生不设限她爱上了我的谎枪火鹤遗失的语言成长恋爱吻重金摇滚双面人在别处沉船搜索者澳大利亚第一季大力士:乔治·福尔曼飘帅家有喜事误杀瞒天记未删减版汪苏泷大娱乐家演唱会爱在初春惊变时破碎之家

 长篇影评

 1 ) 公主新娘

悬念从一开头的船跟踪他们开始就没了,谁都容易猜到穷小子没死,尤其爬悬崖那里更明显了。爬悬崖和比剑那一节很好玩。毒酒那里我猜到了他二杯都放了,但我以为他有解药呢(解药是中国江湖式打法)。整体还不错,大框架虽然没什么新意,但好些桥段和对白都极幽默,比如巨人打破门、公主对王子懦弱的讽刺等等。中间几段爷爷给孙子讲故事的插入,画蛇添足,纯属多余,都被我快进了,就好比《史瑞克1》里,时不时地冒出一个老头儿,讲给孙子听,你烦不?我打8分

 2 ) 感悟

这部电影是我们这学期的口语考试主题,一开始看了封面我还觉得挺好看的,之后看了内容我觉得真心不咋地,可能时代原因吧,童话式的爱情故事从小就广泛涉猎,心里还是喜欢这种题材的,但是看多了就没啥意义了。而且我不明白这部电影为什么称女主为公主,她出身贫民,即使成了王子的新娘,不应该是皇后或者王妃吗。而且我觉得这个公主听愚蠢的,在他爱人深处危难之际,她就站在旁边干看着。看了影评加上我们外教(他是个美国人)说这是他们小时候都喜欢看的电影,我觉得应该是表达的主题的原因吧,在我看来这部电影虽然制作技术以及情节设置方面有所欠缺,但是他表达的主题永远是独一无二,为大众所崇尚的,面的爱情,我但现在都还记得男主对女主说的话:“As your wish”.多么动人啊,正如他所说真爱不怕距离,不怕分别,真爱是可以战胜一切的还有就是那个三剑客,我觉得他们三勇气可嘉,他们三在电影中的设定应该是是很有意义的,他们一开始是作为反派,但是最后他们反而成为了男主和女主的朋友,帮助他们逃脱王子的魔掌。不敢怎么样,这种电影看起来还是很温馨的吧,主题是好的。

 3 ) 公主新娘里的谈判

这学期上了一门谈判课,要写一篇期末论文。想不出什么好题目,就看了看给了六星的那些电影,觉得公主新娘里的谈判很有意思。


I. Introduction

Negotiations are everywhere, whether at work, in life, or in fairy tales. In this paper, I analyze the movie Princess Bride from the perspective of negotiations and draw some lessons that negotiators can learn from its characters and the movie as a whole.
 
The paper will be organized as followings. In Part II, a brief summary of the plot will be offered so that the reader does not have to re-watch the movie (though I cannot conceive any reason why anyone would forgo any excuse to re-watch Princess Bride). In Part III, I analyze the negotiations between Westley and the three kidnappers. Part IV will focus on a brief episode of the movie where Miracle Max decides to resurrect Westley. Finally, the paper concludes with some general lessons from Princess Bride in Part V.

II. Plot Summary

The movie begins with the frame story, where a small boy is sick and his grandfather comes to visit him. The grandfather affectionately pinches the small boy’s cheek (which the small boy hates) and begins to read a storybook (to which the small boy reluctantly acquiesces and graciously promises to try to stay awake).

The main story is the story the grandfather reads from the book. A young woman named Buttercup lives on a farm. Whenever she gives orders to the farm boy Westley, the farm boy always replies “as you wish” and happily does what she instructs him to do. Eventually, Buttercup realizes “as you wish” means “I love you” and they fall in love. In order to get married, Westley goes away to seek his fortunate. However, news comes to Buttercup that Westley died from a pirate attack.

Five years later, Buttercup decides to marry Prince Humperdinck. Before the wedding, Buttercup is kidnapped by a group of three kidnappers: the boss Vizzini, the giant Fezzik, and the fencer Inigo Montoya (who seeks to take a revenge on a six-fingered man who killed his father). It is later revealed that the kidnappers are hired by Prince Humperdinck to kill Buttercup and frame the prince’s enemy country to serve as a pretext to start a war. The kidnappers are chased by Westley (who, as it turns out, did not die) wearing a black mask and by Prince Humperdinck leading a small army. Miraculously, Westley beats the three kidnappers in three separate encounters: he first wins a fencing combat with Inigo Montoya, then prevails over the giant in a hand-to-hand fight, and finally outsmarts Vizzini in a battle of the wits.

Shortly after Westley reunites with Buttercup, the prince’s army catches up with them, “rescues” Buttercup and captures Westley. The prince tortures Westley to death, but Westley is resurrected by Miracle Max. Inigo Montoya, the giant, and Westley invades the prince’s palace and rescues Buttercup.

At the end of the story, the small boy invites the grandfather to come back again, to which the grandfather replies, “as you wish.”

III. Negotiating with Kidnappers

One brilliant aspect of Princess Bride is its surprising and comic element. The title and general plot suggest a typical fairy tale with a hero undertaking a grueling adventure, beating all his enemies, rescuing his princess and living happily ever after with her. Although this is exactly what happens in Princess Bride, the process by which the happy ending is accomplished is very different from a typical Disney movie.

In particular, the protagonist Westley is not like typical Disney heroes that are strong, brave, and invincible. It seems that each of his victories is attributable more to his good fortune than to his bravery and strength.

Re-watching the movie after taking the Negotiation Workshop, however, I realize what I used to characterize as “good fortunate” are actually negotiating skills.

A first example is Westley’s negotiation with Inigo Montoya at the Cliffs of Insanity. After the three kidnappers and Buttercup climb up the cliffs with a rope, Westley is following them with the same rope. The kidnappers cut the rope after they reach the top, but Westley hangs on to the rocks of the cliffs. Vizzini leaves Inigo Montoya to wait at the cliffs to either see Westley fall or kill him. The following conversation occurs between Westley hanging onto the cliffs and trying to climb up and Inigo Montoya waiting at the top.

Inigo Montoya: Hello there! Slow going?
Westley: Look, I don’t mean to be rude, but this is not as easy as it looks. So I’d appreciate it if you wouldn’t distract me.
Inigo Montoya: Sorry.
Westley: Thank you!
Inigo Montoya (after practicing fencing for a few strokes): I don’t suppose you could speed things up?
Westley: If you are in such a hurry, you could lower a rope or a tree branch or find something useful to do.
Inigo Montoya: I could do that. I got some rope up here, but I do not think you would accept my help since I am only waiting around to kill you.
Westley: That does put a damper on our relationship.
Inigo Montoya: But I promise I won’t kill you until you reach the top.
Westley: That’s very comforting, but I’m afraid you’ll just have to wait.
Inigo Montoya: I hate waiting … I swear on the soul of my father, Domingo Montoya, you will reach the top alive.
Westley: Throw me the rope.

The parties begin this negotiation without setting up a process, which is understandable since Inigo Montoya is in a hurry to kill Westley and Westley is busy staying alive by grasping onto the cliffs. Inigo Montoya shares his interest to have Westley climb up faster. Westley responds by proposing options, such as lowering a rope or some tree branches (or a ladder). Luckily enough, Inigo Montoya does have a rope.

Even though the substantive component of the negotiation is going well, the parties reach a deadlock because of a relationship issue: Inigo Montoya destroys the trust between the parties by reminding Westley that he is only waiting here to kill Westley. In the end, Inigo Montoya has to invoke a criterion, a swear on the soul of his father, in order to rebuild the trust.

The first interesting point about this negotiation is that the setup is similar to (but not the same as) the prisoner’s dilemma. Each party has a cooperative option and a defaulting option: Inigo Montoya can cooperate by throwing down the rope and can default by killing Westley while the latter is about to climb to the top; Westley can cooperate by accepting Inigo Montoya’s help and can default by keeping him wait.

This leads to a second interesting point: a shift in bargaining power. The initial setup leaves Westley with very little bargaining power: his defaulting option does not hurt Inigo Montoya and is very risky for himself since he will likely become exhausted and fall down the abyss; on the other hand, Inigo Montoya’s defaulting option will take Westley’s life. Nevertheless, Inigo Montoya’s impatience shifts the bargaining power balance to Westley’s favor since the possibility of waiting for a long time is very unacceptable to him. As a result, he has to swear on his father’s soul to make Westley trust him.

Third, the parties create value by resolving their differences in forecasts with a contingent contract. As demonstrated by his earlier comment to the giant, Inigo Montoya is positive that he will win a fencing battle with Westley since he even plans to use his left hand although he is right-handed. Similarly, Westley is also confident that he will win because he also begins the battle with his left hand when he too is right-handed.

With their different forecasts, their negotiation could reach an impasse with Inigo Montoya saying “since I will kill you anyway, why don’t you save us some time by jumping down the cliff yourself” and Westley saying “since I am a much better fencer than you, please just find a rock and knock yourself out. Wait, throw me the rope before you do that!”

Instead, the parties resolve their differences by agreeing to a contingent contract: a duel. Since either side thinks he is better than the other side, a duel is acceptable to them both. In the end, Westley knocks out Inigo Montoya and continues his chase.

Realizing that Westley is still chasing after them, Vizzini orders the giant to kill Westley. When they meet each other, the giant could easily have killed Westley by throwing a stone. Instead, he proposes that they drop their weapons and fight with hands only. Unfortunately, instead of doing what a principled negotiator would do (i.e. convincing Westley with reason and criteria that a hand-to-hand fight is more sportsmanlike and civilized), the giant resorts to threat by telling Westley that if Westley does not agree to a hand-to-hand fight he will kill him with a stone now.

Similar to the encounter between Westley and Inigo Montoya, the giant’s take-it-or-take-the-stone proposal is also a contingent contract: since the giant is certain that his physical strength will outperform that of Westley, he does not mind settling it with a hand-to-hand fight.

In yet another effort to make Princess Bride a full-length movie, Westley miraculously chokes the giant and goes on to chase Vizzini and Buttercup.

When Westley finally meets Vizzini, the latter is holding a knife against Buttercup’s neck. The following conversation occurs.

Vizzini (while Westley is walking closer): If you wish her dead, by all means, keep moving forward.
Westley: Let me explain.
Vizzini: There is nothing to explain. You’re trying to kidnap what I’ve rightfully stolen.
Westley: Perhaps … an arrangement could be made.
Vizzini: There will be no arrangement … I can’t compete with you physically, and you are no match for my brains.
Westley: You’re that smart?
Vizzini: Let me put it this way: have you ever heard of Plato, Aristotle, Socrates?
Westley: Yes?
Vizzini: Morons!
Westley: Really? In that case, I challenge you in a battle of wits.
Vizzini: I accept.

Right from the start, Vizzini is employing two difficult tactics: using threat and refusing to negotiate. On the other hand, Vizzini should be commended for establishing the legitimacy of his position (by accusing Westley of trying to kidnap what he has rightfully stolen) and invoking objective criteria to show how smart he is.

As a skillful and by then experienced negotiator, Westley successfully reaches a deal with Vizzini by proposing the same kind of arrangement with Inigo Montoya and the giant: a contingent contract. Since Vizzini is confident that he is so much smarter than Westley, he should be willing to accept a contingent arrangement in which the wittier side will triumph.

Coming up with this proposal demonstrates that Westley is not only good at getting to yes but also fluent in active listening skills and knowledgeable about difficult conversations. Firstly, he listens carefully and catches a key piece of information, namely that Vizzini thinks Westley is no match for his brains. Secondly, he succinctly paraphrases “no match for my brains” with “smart” and inquires further about Vizzini’s smartness. Finally, Westley proposes a battle of the wits knowing that Vizzini cannot refuse it, because of the identity conversation: if Vizzini refuses Westley’s proposal after asserting his intelligence, his identity will be threatened because others may think Vizzini is not that smart and is a liar.

As expected, Westley prevails again in the battle with Vizzini and reunites with Buttercup.

In all three encounters, Westley has very little bargaining power to begin with: he is holding onto the cliffs while Inigo Montoya is waiting at the top, the giant could easily shatter him into pieces with a stone, and he has to do whatever Vizzini asks him to do as Buttercup’s life is at stake. However, in each encounter, through skillful negotiations, Westley is able to reverse the unfavorable position and get the other party to agree to a process that Westley has a reasonable chance of success. One lesson for negotiators is that: do not give up easily, for you never know when the other side’s impatience, arrogance, and vanity will work wonders.

IV. Resurrection Negotiation

After Westley is tortured to death, Inigo Montoya and the giant find his body and try to bring him back to life by seeking help from Miracle Max.

Inigo Montoya knocks at Miracle Max’s door and asks whether he is the Miracle Max who worked for the king. Miracle Max replies, “the king’s stinking son (Prince Humperdinck) fired me and thank you so much for bring such a painful subject.” After hearing this, Inigo Montoya simply says that he needs a miracle and it is very important. What he can do differently next time is to apologize and acknowledge Miracle Max’s feelings.

Luckily, Miracle Max agrees to take a look and the following conversation happens between him and Inigo Montoya.

Miracle Max: You got money?
Inigo Montoya: 65 dollars.
Miracle Max: I never worked for so little … except once, and that was a very noble cause.
Inigo Montoya: This is noble, sir. His wife is crippled. His children are on the brink of starvation.
Miracle Max: Are you a rotten liar?
Inigo Montoya: I need him to help revenge for my father, murdered 20 years ago.
Miracle Max: Your first story was better.
Inigo Montoya: This is Buttercup’s true love. If you heal him, he will stop Humperdinck’s wedding.
Miracle Max: I make him better, Humperdinck suffers? That’s a noble cause. Give me 65, I’m on the job.

This episode demonstrates the importance of exploring interests and emotions. In a negotiation, it is advisable for parties to share interests so that they can find value-creating opportunities. In this particular negotiation, Miracle Max does a great job sharing his interests and feelings: he only works for much more than 65 dollars but he is willing to make exceptions for noble causes, and he still bears grudges against Prince Humperdinck for firing him. In contrast, probably because of his impatience, Inigo Montoya does not adequately share information with Miracle Max and does not pay enough attention to the interests and feelings expressed by Miracle Max. Fortunately, in the end, the parties realize that resurrecting Westley will meet the interests of both: helping Inigo Montoya revenge for his father and enabling Miracle Max to get back at Prince Humperdinck.

Another lesson from this episode is the danger of lying. Upon hearing that Miracle Max is willing to work for less if there is a noble cause, Inigo Montoya fabricates a crippled wife and starving children. Miracle Max skillfully names Inigo Montoya’s game by calling him a rotten liar. Furthermore, Inigo Montoya’s lie destroys Miracle Max’s trust so that the latter no longer believes him even when he is telling the truth about revenging for his father.

V. When Not to Negotiate

One great thing about the Negotiation Workshop is making us realize how useful and ubiquitous negotiations are in real life. Naturally, we are excited to engage in more negotiations and further develop negotiating skills after the course.

Meanwhile, it is also important to be aware of the limits of negotiation and know when not to negotiate. In that regard, Princess Bride offers some suggestions.

I discussed how Westley overcomes his adverse positions through negotiations. The flip side of that is, the kidnappers lose their battles precisely because they decide to negotiate. Negotiation is not the only legitimate way to resolve issues. If you are in a favorable position or have a lot of bargaining power, so long as such position and power are not obtained through illicit or unethical means, it is okay to take advantage of them. For instance, in Vizzini’s case, when someone in a black mask is trying to kidnap the person he has rightfully stolen, he should not feel obligated to negotiate.

The grandfather probably knows very well that the grandson does not like him to visit and does not like it when he pinches his cheek. However, instead of trying to negotiate with and persuade his grandson, he just visits and pinches his cheek, perhaps knowing that one day the grandson will miss the cheek-pinching grandfather all too dearly.

Other times, it is best just to agree to whatever the other side wants. Compared to “I am not a pushover; you are giving too many unreasonable orders, and in disrespectful ways” and “I have a lot of things to do tomorrow, and I already visited you today, so I’m afraid I won’t be able to come back tomorrow to read you more stories,” a simpler and better alternative would be “as you wish.”

 4 ) 真爱是永恒的主题

2020年醒来想定一个上目标,比如每天写点什么或者多少字,以求这日子没有白白地浪费,可是培养了近一个月的写作激情仍然没有来到,于是乎翻看Jeff . Gerke的《写作前五十页》,提到《公主新娘》,出于好奇观看,非常过隐。

该片讲述了勇敢的海盗维斯特雷在同伴的帮助下,解救被邪恶王子绑架的儿时玩伴、善良美丽的少女布卡特的故事。善良美丽的少女布卡特住在宁静的小村庄弗洛林,她与少年维斯特雷青梅竹马两小无猜,两人很快陷入热恋。然而贫穷的维斯特雷希望给布卡特更好的生活,于是扬帆远航离开了村庄。但是维斯特雷的船并没有到达目的地,传言说他死在了海盗的手里。

五年后,伤心欲绝的布卡特成为了王子胡姆普丁克的未婚妻,可她并不爱他,她的心里仍苦苦思念着真爱维斯特雷。一次意外让布卡特再次遇见了维斯特雷,然而邪恶的王子却绑架了布卡特,并逼迫她嫁给自己。此时的维斯特雷已是一位勇敢强壮的海盗,为救真爱,他与武艺超群的剑客埃尼戈·蒙托亚、力大无比的巨人菲兹克一起踏上了拯救公主之路。

悬念自始至终,贫穷的热恋,求富的分手,死讯传来,纵马遇劫,船跟踪,穷小子没死,爬悬崖比剑,毒酒二杯,巨人打破门、公主对王子等等。简单的追求变成了不朽精典,人间传奇。许多复杂的人物串连起来让人感觉不到勉强,男主对爱情的执着中成为武功高强的海盗,最终战胜王子,夺回真爱。女主似乎犹豫和徘徊,很适合国人的口味,并非不执着。剑客寻仇“六指人”时与男主站在同一战线,给剧情增色很多,巨人则留给观众印象深刻。

精典语句:“我要到外面闯世界。”“我怕再也见不到你了!”“我保证在你最需要的时候能见到我。”真爱会产生奇迹,每次都是渴望对方的时候,化险为夷,起死回生。

剧情引人入胜,惹得观众清爽,设定公主爱上小奴隶,并与国王争夺这个公主,鹿死谁手?似乎是观众关心的主题,用七十二难来考验小奴隶,穿插着剑客寻仇,共同对付国王,抱得美人归。

真爱才是抓住人心的设定。

 5 ) 写一个很酷的童话给你【上】

一天,小男孩生病在床,他的爷爷赶来探望他,兴致勃勃地向孙子讲述一个中古时期的爱情童话。里面有奇幻的爱情,还有小孩子爱听的历险。小男孩为观众挑了几出精彩的部分拿来细听,于是故事一起一跳间开始楽。

一身红衣的未来王妃林间骑马时遇险,绑架她的是一个想要挑起两国战争的家伙和他雇佣来的,两个善念尚存还算忠厚的手下。拔锚起航后一行人没紧着看守,倒是絮絮叨叨地押着韵斗嘴,结果让我们的女主角瞅个机会跳海跑了。这场绑架行动有着目的论的色彩,而迄今出现的反派们还在忙着卖萌;童话的基调已然奠定。而且海里的鳗鱼貌似凶恶,但尽然——据老爷爷介绍——没有伤害她!这不是一部类似《大白鲨》那样的动作冒险片。总之王妃被救回,然后他们四人停泊在悬崖边,用一种很传统的方式,即爬绳子,上了岸。追赶的船上跳下一人紧随其上,他是来救她的吗?绑架者和观众抱着同样的疑问。于是留下西班牙剑士来“解决他”。
这无疑是小男孩也是我最爱的一段!和小男孩一样,西班牙剑士也讨厌等待,于是抛下绳子引敌人上来好尽快战斗。
黑衣人与西班牙人的剑斗自然是精彩无比,剑起剑落,弹跳腾挪间是挥洒不尽的草莽豪情,更兼惺惺相惜。这明明是你死我活的战斗,可是他们打起来却那么的轻松,就连各回合间的串场词都那样诙谐!最终两人都用上了右手,黑衣人胜出,把对手击昏,上路。
天生神力的巨人在阻击黑衣人时延续了他的伙伴的骑士精神,待他靠近还要抛石块警告一下。——有谁愿意看到一个蒙面的神秘帅哥未露脸先血溅当场呢?巨人不出所料地被搞晕,于是黑衣人又继续了他英雄救美的旅程。是的,他必为救他的美人而来,否则何必一路披荆斩棘苦苦相随?然后是一场王牌对王牌的boss(??)战,二人喝酒文斗,逻辑口舌的卖弄间其实暗藏风险。黑衣人变身腹黑男,挖了个陷阱就轻易把视柏拉图亚里士多德苏格拉底为愚人的家伙毒死了。ORZ。。。
就像那个年代的很多骑士片一样,敌人明明近在咫尺,逃难的一男一女却有充分的时间谈情。哎,他以为她早已背叛了他,吐词之间尽是刁难嘲讽。她欲保持尊严,辩解时却吐露真心。误会中两人滚下山坡,他的面巾滑落。两人开始接吻。
这里明显是小男孩最不感兴趣的场景了。而我却要说,接得好!!阔别五年的情人再次相见,她气急败坏中把意向不明的陌生人,下一秒意识到这个蒙面海盗就是当年倾心相爱的农场小子,便毫不犹豫地纵身一跳生死相随,大难不死后的第一件事就是相拥而吻,所有我们怕见的狗血咆哮此时都无影无踪,只有一句简单的真爱宣言在耳边回响:你知道我总会找到你的!这是多么干净明晰的故事。作为一个童话,梦已经圆了一半了。真爱里哪能没有分分离离,有多少情人因解不开的误会而两散。现实在这里有了一个很美的包装,让阴谋与爱情为内核的故事,有了智慧侠义的色彩。

 6 ) 我决定去写童话

古典,这是我想象中的古典。
为了骑士风度,为尊重对手而给敌人帮助的剑士;边打斗边对自己的过往战绩喋喋不休的巨人;对爱情绝对忠贞但是在涉及危险场面时绝对退居二线的娇弱女主;还有关键时刻总是能够挺身而出,说出那句“AS YOU WISH”的海盗帅哥。简直是古典地不能再古典了。
我承认作为一个没什么深度的人,一开始的时候我就被男主角的蓝眼睛迷住了,当他渐渐走近女主,说出那句“AS YOU WISH”的时候,用句恶俗的话,我觉得他的眼睛真是蓝的像海哭了。
整部片都有一种浑然天成的喜感,不做作,透着一股天真的稚拙。于是你虽然知道这部片是如此的超现实,虽然这部片的许多布景是如此的不靠谱,坏人和好人都是如此的没智商,你还是会原谅它。
片子的主体架构是慈祥的爷爷给病中的孙子朗读的一本童话书,而谁会去向一本孩子的童话书较真呢。当每次童话的走向显得不尽如人意的时候,孙子都会提出抗议,然后故事果然就会向他希望的那个方向去发展。爷爷赞扬孩子是聪明的,可是我们都知道,更多的可能是没有这样的大团圆,没有坏人的罪有应得,没有好人的夙愿得偿,没有在关键时刻如同奥特曼红灯亮起时一样打了鸡血的效果。可是没有人愿意说出来。
这是我们的古典情结,这是我们的童话情结。一切安好,一切顺利,一切完美如画。

 短评

7.0/10 分。初看,CC重制版蓝光。比较幼稚美好的童话,比迪士尼还迪士尼。。。没有认出年轻时的罗宾·怀特来,只是感觉她有点脸熟。。。好多美剧里熟悉的角色,《国土安全》曼迪·帕廷金,《傲骨贤妻》华莱士·肖恩,等等。。。按照1987年来说,真的可以打个8分,可惜这样美好的爱情童话故事实在是太老套了。。。放今天,女权斗士就会问,为啥公主就不能直接把男主和王子全要了。。反正十万年前的女人是可以找一堆男人当老公的。。。哈哈。。。CC版蓝光修复得不错,甚至比一些厂家修复版还要稍微好点。。。

6分钟前
  • Lonely
  • 推荐

看似复古的童话故事却有许多颠覆幽默之处。"Hello.My name is Inigo Montoya.You killed my father.Prepare to die." 这段很有力度。

7分钟前
  • blacktea
  • 推荐

公主新娘属于那种在美国享有盛誉一度荣居IMDB#250而在中国始终保持低调不过造成这一落差的根本原因与咱家审美没有太多干系所获盛名总体是由广大本土影迷的成长经历童年记忆主导使然类的电影……https://www.douban.com/people/hitchitsch/status/2338271121/

10分钟前
  • 赱馬觀♣
  • 还行

我不知道这个片子为什么评分这么低,但是我认为倘若我有一天回国去教书,这部片子是用来介绍美国90年代青少年文化以及幽默的重要材料···

14分钟前
  • 螃蟹|腮脖膨客
  • 力荐

我真的不知道为什么在ibdm上为什么有那么高的评分,在我看来这部电影真的是一无是处,里面的人物是我所看过的电影里面的最做作的一群人,根本谈不上演技么,全都是提线木偶,台词好像都没背熟吧,对话都是硬生生的,看的我频频快进,真觉得是在浪费时间……亏我还存了那么久看……就开头还有点小清新…

15分钟前
  • 迎夕
  • 很差

6。有点搞笑,不过既然角色要傻逼,就要像《巨蟒和圣杯》里那样。然而这是童话式,后者是恶搞,还是有区别的。

18分钟前
  • Mannialanck
  • 还行

外教选的片子实在恶搞 意外发现这部恶搞童话IMDB前200 估计古早以前的童话就是这么可爱吧

23分钟前
  • DEPARTURES
  • 还行

8.8;crippling humor, dizzying intellect, inconceivable!

24分钟前
  • 冰山李
  • 力荐

不错的改编,但总没原著好。“Words followed her. Whispered from far, weak and warm and familiar. “As . . . you . . . wish . . .”

25分钟前
  • Jin
  • 推荐

之前看《生活大爆炸》的时候,就被拉杰什洗脑,他最爱念叨的一部电影,还有一集击剑也跟这部电影有一个情节有关。一开始以为会是《大鱼》,结果偏喜剧,甚至是有些恶搞,很一般的情节,可能过了会喜欢这部电影的年纪了吧。

27分钟前
  • 樂啊樂
  • 还行

因为题材一直提不起兴趣看,没想到是无厘头搞笑纯爱童话哈哈哈,一边讲一边进行自我吐槽真是😂...

28分钟前
  • 米粒
  • 推荐

俗套文本搭载书中书式嵌套结构,指向的其实是“浪漫”的被创造,在戏剧逻辑纬度,反现实逻辑的“奇迹”便是浪漫的变体

32分钟前
  • 顗礼
  • 推荐

有是一位梦中情人式的男主角……

34分钟前
  • 叶飞Phoenix
  • 力荐

音乐、歌曲太好听了,浪漫、动人的 I Will Never Love Again & Storybook Love!还有那句经典的"As You Wish"~

37分钟前
  • Marty McFly
  • 推荐

1988年奥斯卡最佳音乐奖、1987年多伦多国际电影节民选奖、IMDB: 8.2/10 (92,530 votes) Top 250: #155、2010英国卫报25部经典科幻/奇幻片之一……如此之高的口碑实在郁闷,真不明白老外为何好这口?

42分钟前
  • 影志
  • 较差

封面居然转180°后还是PRINCESS BRIDE http://jandan.net/2009/01/20/jan-en-princess-bride.htmlas you wish生活不都是公平的

43分钟前
  • 刘建明
  • 较差

电影是基于William Goldman的小说改编的,一个充满幽默、动作和浪漫的童话故事。一部很好的家庭影片。

48分钟前
  • godzilla
  • 推荐

ok 像是舞台剧一样的电影 简单的人物简单的场景简单的故事 女主形象不爱人物不爱 完全花瓶 在一起历经生死的时候她呆愣在旁能气死我 不过后半部分 三人行有些看头 很搞笑 最后 男主挺帅

52分钟前
  • 某J。624
  • 较差

Rajesh最喜欢的电影,美国影视剧中常提到的pop culture reference,名台词有"As you wish", "Hello. My name is Inigo Montoya. You killed my father. Prepare to die."

54分钟前
  • 阿基米德
  • 还行

原来是九日皇后中的他。“as you wish”

55分钟前
  • 眠去
  • 推荐