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Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.红领巾的故事再见妈咪1986怪奇恋爱作战谁先说分手悲凉山掘墓记恰好遇见你2022一路向前穿靴子的猫（普通话）恋上纯喫茶续篇外滩探秘 第三季速写者醒狮2007皇家律师第二季和空姐合租的日子枪神传奇斯诺登唐顿庄园：2013圣诞特别篇午夜食人列车探访世界河流家族荣誉4蓝色巨人2023米奇和熊禁闭岛裂口女心跳2017阿U第三季行过死荫之地愿我如星君如月第二季人狼游戏：走失伊甸过道少女侦探社我的鬼神搭档我的樱花恋人再造战士(2007)633轰炸大队圣诞假期1944鉴你所见第70届黄金时段艾美奖颁奖典礼
Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.红领巾的故事再见妈咪1986怪奇恋爱作战谁先说分手悲凉山掘墓记恰好遇见你2022一路向前穿靴子的猫（普通话）恋上纯喫茶续篇外滩探秘 第三季速写者醒狮2007皇家律师第二季和空姐合租的日子枪神传奇斯诺登唐顿庄园：2013圣诞特别篇午夜食人列车探访世界河流家族荣誉4蓝色巨人2023米奇和熊禁闭岛裂口女心跳2017阿U第三季行过死荫之地愿我如星君如月第二季人狼游戏：走失伊甸过道少女侦探社我的鬼神搭档我的樱花恋人再造战士(2007)633轰炸大队圣诞假期1944鉴你所见第70届黄金时段艾美奖颁奖典礼
长篇影评
1 ) 今晚BBC对肯特里奇的访谈
"follow the less good idea; of course you start a rehearsal from something specific ; a music ; a choreography; but then on the edge of the carefully rehearsed, emerges something like a sparkle; an improvisation at the end of the choreography; you realise that the peripheral can be central. There's something political here, the big ideas, communism, capitalism, end of history, there is catastrophe lurking in big certainties. it's on the edge of those certainties that something organic might flourish. " (凭记忆，大意）。
太短了！肯特里奇在绘画、舞台、音乐以及表演，都太有品味了，更厉害的是对历史和城市记忆的关注……中国艺术家差太多。
创作部分介绍得较少，主要作纪录用
立体的艺术家
Wunderbar!
Kentridge真的让人不服不行，政治议题上的深刻与形式集大成的复合有机的程度实在太高，他在影片里有句说的好“我的工作室就像全世界”，各种图像音乐素材为他所驾驭，至少在音乐元素的混合生成上是我觉得目前最厉害的，对各个形式的语言的认识和控制力太猛，全才，综合性大师。
同行的观众觉得他“让罗马活起来”。不知道。感觉这个纪录片从一开始就把肯特里奇作为一个具体的“城市空间设计师”来讲，一开始就从功能性公共艺术来讲，基本上也是丢掉了肯特里奇的优势特征了。
give and forgive 项目总监因为一次醒悟为肯德里奇这个项目跑了10年，真不容易最后还是非常震撼，依然还是用柏拉图洞穴之喻，里面女歌手很霸气