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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院打雀英雄传国语小脚板走天涯关于我和鬼变成家人的那件事ISLAND拂晓之街戏说台湾之獅王会十甲古城片警火炬木小组第三季上山吧!台湾队我的笋盘男友粤语今夕何夕无影侦察队强尼大战安珀致命钥匙 第三季浪客剑心：星霜篇勇敢往事我想和你做猫和老鼠：火星之旅泰版金秘书为何那样爱情谜语国语同妻俱乐部第一季开货车的小镇青年朵拉或我们父母的性神经官能症
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院打雀英雄传国语小脚板走天涯关于我和鬼变成家人的那件事ISLAND拂晓之街戏说台湾之獅王会十甲古城片警火炬木小组第三季上山吧!台湾队我的笋盘男友粤语今夕何夕无影侦察队强尼大战安珀致命钥匙 第三季浪客剑心：星霜篇勇敢往事我想和你做猫和老鼠：火星之旅泰版金秘书为何那样爱情谜语国语同妻俱乐部第一季开货车的小镇青年朵拉或我们父母的性神经官能症