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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视樱花影院6080影院上帝的口袋僵尸复活机器人老爸林冲之风雪山神庙幸运日启航：当风起时天上的孩子权力的游戏 第三季来玩游戏吧哈利·波特与混血王子国语无耻之徒(美版) 第九季哈桑·明哈杰：返校之王神探南茜 第二季繁茂爱河如临大婚贼赃尽管如此也要发誓相爱吗？埃里克·拉鲁拯救圣诞记2麻花特开心疯狂之血帕蒂蛋糕我的足球教练黎明行动娱乐百分百宫心斗角
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.陌陌影视樱花影院6080影院上帝的口袋僵尸复活机器人老爸林冲之风雪山神庙幸运日启航：当风起时天上的孩子权力的游戏 第三季来玩游戏吧哈利·波特与混血王子国语无耻之徒(美版) 第九季哈桑·明哈杰：返校之王神探南茜 第二季繁茂爱河如临大婚贼赃尽管如此也要发誓相爱吗？埃里克·拉鲁拯救圣诞记2麻花特开心疯狂之血帕蒂蛋糕我的足球教练黎明行动娱乐百分百宫心斗角