福尔摩斯：基本演绎法第二季

For a long while now, I've suspected that connection with another person, real connection, simply isn't possible.

I'm curious if you disagree, although I suspect you feel as I do in this, as you do in so many other things.

So tell me, is it possible to truly know another person? Is it even a worthwhile pursuit?

Yours is the only opinion I'll trust, the only point of view that holds even the faintest interest.

I find my diversions, as I always do. But the days are long in this gray place. I dearly hope you'll write soon.

Ever Yours
Jami Moriarty


附上配乐：http://www.xiami.com/song/play?ids=/song/playlist/id/1772077320/object_name/collect/object_id/25238962

 


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[存档]Steven Moffat - Elementary has changed Sherlock Holmes too much


The co-creator of BBC1’s Sherlock suggests the Jonny Lee Miller series is too far removed from the original storiesComments Share this episode
 
Written By Paul Jones





The new show, currently in production for American network CBS, brings Jonny Lee Miller’s detective to modern-day Manhattan, alongside Lucy Liu’s female Watson. And Moffat, who together with Mark Gatiss brought Sherlock Holmes up to date for the BBC, says it could be a step too far.

“What we did with our Sherlock was just take it from Victorian times into modern day," he said. "[Elementary has] got three big changes: it's Sherlock Holmes in America, it's Sherlock Holmes updated and it's Sherlock Holmes with a female Watson. I wonder if he's Sherlock Holmes in any sense other than he's called Sherlock Holmes.”

Moffat even had some suggestions as to how CBS might have gone about the job better: “It's almost like they should have made Watson a woman but kept the show in Victorian times... that would actually be quite interesting," he told TheInsider.com. [摩法特果然灵光！]

Moffat will at least be relieved to discover that Elementary does not follow Sherlock too closely, since he and the show’s executive producer, his wife Sue Vertue, initially expressed concerns when the US series was announced.

Having turned down an offer from CBS to be involved in an American version of Sherlock, they had been worried that Elementary would be just that.

"It's a slightly odd situation because [CBS] approached us to do an adaptation and we declined, then, coincidentally, they announced they were doing an updated version of Sherlock Holmes," said Moffat.

And although he says Elementary is different from Sherlock, he still has misgivings [we all have such misgivings---唉！] about the effect it might have on the Sherlock Holmes legacy: "I don't want it to sound like Mark [Gatiss] and I don't want other people to try this. We welcome it, but don't damage the brand," he said.

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福尔摩斯不是你家的好吗？指手画脚真的合适？另外转载的作者：他灵光个脑袋？正因为在21世纪所以女性是完全可接受的，道尔当年当然也可以写女医生，不过当时流行的就是同性朋友间情谊（看其他文学作品即知）。就和化学反应的那个活化能模型一样，“21世纪”就是那个峰值，随后的女性啊，执照问题啊，都是顺理成章的。而19世纪与女性是反的，结合在一起反而不稳定。MOFFUCKER你提这个蠢建议是吃英国菜吃多了吗？而且你总关注性别这种原始的问题算个鬼？还有刘华生比你家那位小媳妇性格成天只打听福的情感问题的爷们了更配得上并肩战友的称谓你怎么不说？再有你们有资格说CBS吗？人家在87年和94年就拍完两部现代福+女华生了，那时候你们还在吃翔吧？再再有，一副“现代福是我们的创意”的高姿态不能更讨厌，不说更早的，你将BR福置于何处？

这部电视剧是越看越有味道的，米福越来约有人情味，刘花生也在渐渐成长为一名侦探。真正难能可贵的是，这部剧没有打着福尔摩斯的名头各种撒狗血买狗粮秀智商（好吧其实我们一直被秀智商），而是真真正正地在用 演绎法 去破案。观众们跟着米福，看着他在刘花生和NYPD两警探的帮助下，一步一步推理演绎出凶案的经过，让杀人凶手落网，给被陷害者以清白，真的很爽。花生在他的感染下，一步一步走出了自己的阴影，活出了自己的精彩，而米福在一帮同伴（尤其是花生）的陪伴下，也逐渐恢复，并且状态更胜从前。但他依然敏感，脆弱，骄傲。米福给我的感觉，就像是那有着精美冰裂纹的瓷器，美丽，神秘，坚硬，却又脆弱的不堪一击。
       看剧的时候，我总是担心他那一天就复吸了OTZ，虽然我觉得以电视剧这一存在本身的尿性来说肯定有这一环节，只是时间早晚罢了。在看第二季最后三集的时候，我真的被这对福尔摩斯兄弟感动到了。哥哥对弟弟的爱那样深沉（= =）,那样隐忍，所受的苦，所有的委屈，都是为了保护那个脆弱骄傲的弟弟。哥哥羡慕着弟弟能遵从自己的本性生活，那样自在潇洒。可是这样的生活，必然有代价要去支付，作为疼爱弟弟的好哥哥（好吧麦考夫可能自己一开始都没发现），自然得想法子帮弟弟解决一切通往自由生活的阻碍。米福最后终于知晓麦考夫为自己牺牲了多少，这一切只因为麦考夫的一句话“You are my brother.”这份对家人兄弟的爱是多么沉重，有多么幸福。米福自然要为好哥哥做些什么，结果在他和花生为此辛苦努力的时候，麦考夫自己把自己“解决”了，以惨烈的方式赢得了胜利，代价昂贵。可是，亲爱的弟弟和美丽的爱人安全了，麦考夫觉得一切都值得。米福自然生气，在我想方设法还债想对你好的时候，你却自己伤害自己，只为了我的安全。这愤怒自然成了嘴里的“自私的懒鬼”这样的话语。唉。
     米福就是有这样的魅力，让人不自觉地都照顾他，帮助他。看23集时开头哥哥和花生的对话，一瞬间觉得他俩在一起也挺好的，毕竟两个都“share the burden. take care of him”，哈哈，而且两人也彼此相爱。 可惜最后啊，还是没成，让人唏嘘啊。
    废话了这么多，也没啥逻辑。但中心思想只有一个，这真的是一部好剧！好剧本，好演员。希望有更多的人喜欢这部剧！
    另外，觉得刘玉玲的花生越来越有气场了。聪明，强大。刘玉玲本人也越看越漂亮了。(*^_^*)

当与千呼万唤始出来的BBC夏洛克第三季比较之后，才深深感觉此剧的朴实，一集一个脚印的侦破案件，这才是侦探剧应有的节奏。侦破是这类剧的灵魂，每一集侦破才是主线，而不是侧重那些被无限放大的情感上，基本演绎法最出色的是在每集案件侦破后画龙点睛的刻画一些情感，不喧宾夺主，而恰到好处。还是喜欢这种正常的侦探剧，在被BBC第三季打击过之后，着实感觉美版的各种优点。

      先说一个热点话题，就是美剧版和BBC之间的比较。
      BBC版的福尔摩斯，是一个让人只有仰着脖子在内心感叹“牛逼”的作品。牛逼的福尔莫斯，牛逼的编剧，牛逼的摄影！
      美剧版的福尔莫斯，则是个让人窝心却又纠结的故事，尤其是刘玉玲演的华生。

      毫无疑问，BBC版的是最具有原著风格的改编，而美剧版的则是最和现代人心态贴近的改编。
     
      而美剧版的改编最大的亮点在华生。她不再是神旁边的木偶，而是充满了灵魂。她洋溢着女性的与生俱来的优点--宽容善良的母性，同时她对福同学有着深厚的信任感和好奇心（爱情的基础），并且非常性感！
      这样的已知条件出现，一般男人都早已按耐不住的滚床单了，但是他俩竟然目前还保持了克制。尤其是福同学认为华生想和山寨版的福同学滚床单那段。

      对此剧我有着极强的带入感——就是想和华生滚床单，但是却只能看着两人在那边天雷擦着地火的戏码。于是我就成了华生的脑残粉了