法国贩毒网

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主演:吉恩·哈克曼,费尔南多·雷伊,罗伊·谢德,托尼·洛·比安科,马塞尔·博祖菲,Frédéric de Pasquale,比尔•希克曼,Ann Rebbot,Harold Gary,Arlene Farber,埃迪·伊根,André Ernotte,桑尼格鲁索,Benny Marino,Patrick McDermott,阿尔·法恩,弗兰克·阿多尼斯,罗伯特·达赫达赫,萨丽娜·C·格兰特,乔·罗·格里普,桃乐丝·麦卡锡,查尔斯·麦格雷戈,Burt Richards,罗伯特·威尔

类型:电影地区:美国语言:英语,法语年份:1971

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 剧照

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 剧情介绍

法国贩毒网电影免费高清在线观看全集。
  腰缠万贯的法国富豪阿兰(费尔南多·雷依 Fernando Rey 饰)手上运作着全球最大的海洛因走私网,警方多番追踪仍无法将其落网,卧底警察也被残忍杀害。而在另一头的纽约城,侦探道尔(吉恩·哈克曼 Gene Hackman 饰)和鲁索(罗伊·施奈德 Roy Scheider 饰)还在酒吧中与当地贩毒分子交锋,浑然不知阿兰正在计划将一笔3200万美元的海洛因走私入美国。然而没过多久,在一次跟踪行动中,道尔和鲁索很快发现了可疑人物与贩毒网之间的关系,一场与贩毒团伙斗智斗勇的险恶持久战就此拉开。道尔和鲁索这对互相看不顺眼的搭档,究竟能想出多少计谋,躲过多少暗箭,最后又能否一举破获这起来自法国的大规模贩毒案呢?  本片根据罗宾·摩尔(Robin Moore)的真人真事作品改编,并获得第44届奥斯卡金像奖最佳电影、最佳导演、最佳男主角、最佳改编剧本、最佳剪辑奖。泰特汉堡欢喜县令长恨歌人民的巨掌塘鹅暗杀令英语东北传说之猎狐101次求婚地狱之轮第二季十亿韩元掠夺者一夜成名富江5:最终章禁断的果实监控录像疯狗警探每况愈下智能缉凶最爱2019赎金危机都市女孩第三季不可杀德伯家的苔丝爱也好恨也好座头市与独臂刀犯罪心理2014萨特本当泰拉遇上比拉尔高山流水觅知音莫妮卡·奥利维尔:恶魔帮凶 第一季夺金2009奔跑的蜗牛百战天龙第二季别来敲门基和皮尔 第一季八千里路世界奇妙物语 2017年春季特别篇小吸血鬼活击/刀剑乱舞橡皮轮胎明末风云木乃伊归来(国语版)走到尽头2023搜查官爱丽丝

 长篇影评

 1 ) Rocker Panels

“执着追求并从中得到最大快乐的人才是成功者”——梭罗


《法国贩毒网》里所说的Rocker Panels,指的是一左一右车门正下方的两块挡板,有管这叫“迎宾踏板”的,也有叫“门下围板”的,总之,这是车上一个没什么存在感的部分,因为经常被人踩在脚下。所以,当吉米等人将他们怀疑藏有毒品的车拆了底朝天之后,依旧忽略了这个“没什么存在感的部分”。


吉米是个平时懒散不羁但办起正事来全情投入的主,他的这种热情并不像那些伸张正义的英勇探长们给人安全感,相反的,他近乎偏执的行事方式加重了电影所散发出的不安情绪。经由之前与吉米合作办案的同僚之口,我们得知他甚至因为这已经能够称得上是“狂热”的偏执害死过自己的伙伴。吉恩·哈克曼很好地把握住了吉米给人的这种不安,即便扮演的是一个代表着绝对正义的警探他也试图让观众对他产生厌恶感。他的谈笑、他的暴躁、他跟踪疑犯时的所表现出的难缠和他追击疑犯时从头至尾的玩命(那场开车追逐轻轨的戏即使现在看依然那么精彩),都无不让人庆幸他将这股用在了抓捕毒枭上而不是其他的地方。


在经过一大串对吉米的刻画后,电影终于来到了个人认为最有意思的部分——拆车。混杂在一连串拆卸剪辑里的,是吉米的面部特写,他从满怀期待到有些迟疑,他在害怕着些什么?他在害怕失落的到来。因为那样的话他所有的坚持都成为新的笑柄。在大伙都放弃的那一刻,吉米站在被拆的零零散散的车前沉默不语,他离承认失败只有一步之遥。想想《迷雾》和《非常嫌疑犯》的结尾吧,没错,失败的原因往往是早一步的投降和晚一步的真相。幸好,汽车的重量和一句“Rocker Panels”及时拯救了吉米,他们拆开了那两块盖板,发现了藏匿其中的毒品,这使得之前的所有坚持都有了意义。


有人把快乐藏在了Rocker Panel里,就怕没拆开我们已经放弃寻觅。


2013.11
http://i.mtime.com/fabzany/blog/7704298/


p.s.记得以前看过一个叫《香港警察》的港剧,时至今日总算是看到了里面主角张大勇的原型。

 2 ) 主题的时效战胜了艺术的永恒

        传奇的警探拍档在电影中的性格被塑造成一静一动,一个爆裂一个缜密,一个张扬一个沉默。打败了发条橙子等众多热门拿到奥斯卡的电影。

 3 ) 法国贩毒网:警匪的相爱相杀

警察与罪犯相爱相杀的故事永远流传不竭。他们斗智斗勇,在大多数的故事中,一定是魔高一尺道高一丈,但是真的是这样吗?

《法国贩毒网》是一部七十年代的美国电影,当时的美国正处于“水门”和“越战”的背景下,社会异常混乱。

在这个年代里暴力、性、种族问题、政府腐败以及各种人权运动问题成为电影的主题。

本片根据罗宾·摩尔(Robin Moore)的真人真事作品改编,并获得第44届奥斯卡金像奖最佳电影、最佳导演、最佳男主角、最佳改编剧本、最佳剪辑奖。

电影的主角是两个缉毒警察道尔和卢索,道尔脾气暴躁,有着与毒贩不死不休的信念。卢索则相对低调,他是道尔的好搭档。

故事的开头一名卧底在法国马赛被枪杀,这里是毒枭阿兰的天下。

回到纽约。下班后,道尔请卢索出来喝一杯,结果一杯酒没喝完,道尔的职业病就犯了。他拉着卢索开始跟踪监视这帮人。

此时在马赛,阿兰正在组织一场巨额的毒品交易,他居然找到一位明星演员帮他运毒!

道尔虽然行事鲁莽暴躁,但是胆大心细,很会演戏,他开始在毒贩中安插眼线。

随后道尔发现糖果夫妻萨尔和安琪行踪诡异,巨额财产来源不明。他需要上头的手续支持,不过因为道尔曾经因大意致一位警察牺牲,头儿不是很乐意。

得到头儿的支持,搭档二人开始开心地监听夫妻二人的深夜蜜语。

而在阿兰这边,巨量毒品已经顺利运送到了纽约。

道尔二人顺藤摸瓜,已经开始监视阿兰的踪迹,不过这个老狐狸哪有这么容易露出尾巴。

反而上头开始怪罪道尔胡闹,不去做正常的工作。追踪毒枭阿兰的任务不得不放下。

就当灰心丧气的道尔回家的时候,二号毒枭差点枪杀了道尔。道尔一路紧紧追踪,罪犯疯狂逃窜。

罪犯逃上一趟地铁,威胁车长不得中途停车,扬长而去。道尔岂能这么容易放过他?

他“抢”了辆车,顺着地铁轨道一路紧追不舍,上演了一段让人喘不过气来的追逐大戏!汽车的巨大轰鸣声配合着路边人群的噪声,在公路上飞速行驶看得让人心惊肉跳!

最终二号毒枭的结局也贡献了影史上十分精彩的一个镜头。

与此同时毒贩们仍旧继续着他们的交易,明星将携带毒品的车扔在路边,等到半夜终于有人接头,道尔实施抓捕。

大家将那辆车拆了个七零八碎后,居然一点毒品都没搜查到,这怎么可能?

就在大家陷入绝望的时候,事情出现了转机,卢索发现车的质量比实际质量重太多了。是保险杠!

之后道尔他们决定放长线钓大鱼,他们将车原封不动地换给了明星。于是一号毒枭阿兰开着车前去交易,交易成功。

不过在回来的路上就没那么顺利了。

最后阿兰逃蹿进一片荒废的房屋内,最终道尔和卢索能否抓获阿兰呢?

我就不剧透了,想看的盆友们,后台回复“法国贩毒网”即可观看

法国贩毒网:警匪的相爱相杀

 4 ) 法国贩毒网 英文故事简介

In December 1970 in Marseilles, France, a plainclothes policeman is observing former longshoreman turned entrepreneur Alain Charnier (Fernando Rey) chatting with some unsavory types. Charnier is being tailed by the undercover cop because he is a kingpin in smuggling heroin overseas - a fact that costs the cop his life when he later returns home and is shot in the face by Pierre Nicoli (Marcel Bozzuffi), Charnier's henchman.

Meanwhile, in Brooklyn, NY, a corner Santa is chatting with some children outside a seedy bar while a hotdog vendor completes a transaction. The Santa is Detective Jimmy "Popeye" Doyle (Gene Hackman) and the vendor is his partner, Detective Salvatore Russo (Roy Scheider), whom Doyle nicknames "Cloudy." The two narcotics cops are staking out the bar in hope of finding a pusher named Willie (Alan Weeks). When Popeye sees Willie in the bar passing some drugs to a companion, he starts singing to the children, his signal to Cloudy. Cloudy enters the bar and grabs Willie's buddy. Willie sees the commotion and suddenly flees outside, with Popeye and Cloudy in hot pursuit. They corner him in an alley and Willie slashes Cloudy's arm with a hidden knife and runs. The cops chase him on foot to a deserted lot where he trips and falls and is beaten by both cops before Russo implores Doyle to stop. Once the two cops calm down they confusingly interrogate Willie, trying to get information on his drug connection.

In France, Charnier finishes a day overseeing dock work and drives home to his seaside villa and his young trophy wife (Ann Rebbot), who obviously has expensive tastes. The two exchange gifts for their upcoming trip to the US. Charnier later meets his gunman Nicoli at a rendezvous point for an acquaintance of Charnier, TV personality Henri Devereaux (Frédéric de Pasquale). Devereaux is traveling to the US to make a film and has decided to aid Charnier's smuggling effort because he needs money. Nicoli believes involving Devereaux is a mistake, but is reassured by Charnier.

In NYC, Popeye and Cloudy sign off for the night and Popeye takes his reluctant partner to a nightclub called The Chez. Popeye notices one table in particular, populated by known narcotics connections who are being entertained by a free-spending young man whom Popeye describes as a "greaser." Popeye smells a drug deal underway and persuades Cloudy to help him tail the greaser and his companion, a big-haired blonde. Throughout the night they tail the two, watching them drop off a suitcase in Little Italy and then switch cars early the next morning from an attractive coupe to a beat-up sedan. They then drive to a candy store/luncheonette, "Sal and Angie's", in a working-class area of Brooklyn. Peering inside as the couple prepares to open for the day, Popeye and Cloudy notice that the blonde is now a brunette, having worn a wig the night before.

Realizing they are on to something, the two cops stake out the candy store for a week using audio surveillance. Cloudy poses as a photographer to question Angie. Combing records they find that the greaser is Salvatore "Sal" Boca (Tony Lo Bianco) and his wife is Angie (Arlene Farber). The candy store's income could not explain Sal's free-spending ways. The posh coupe is owned by Angie while the beat-up sedan is owned by Sal's brother Lou (Benny Marino), a garbageman in training at a facility on Ward's Island in the East River. All three Bocas have criminal records. The candy store is regularly visited by unsavory types from New Jersey, and Sal makes numerous trips to an expensive condo in Manhattan at which lives lawyer Joel Weinstock (Harold Gary), a known drug financier who bankrolled a heroin shipment from Mexico.

Popeye and Cloudy raid a junk-house bar. One Afro-haired patron (Al Fann) talks back at Popeye and is hauled into a men's room to be beaten up - actually cover so Popeye can debrief his informant, who reveals that a big shipment is due within a few weeks that will satisfy everyone in the city. In order to make the ruse look convincing, Popeye punches his colleague in the jaw, a bit too enthusiastically.

Popeye's boss, Walt Simonson (Eddie Egan, the real-life inspiration for Popeye Doyle), is reluctant to let the two cops continue with their investigation of Boca, pointedly reminding Popeye of a previous case where his hunches backfired. But with Joel Weinstock, whom the police have long wanted to arrest, potentially involved, Simonson relents and goes to court for a wiretap on Boca's house and candy store. The federal Bureau of Narcotics and Dangerous Drugs (BNDD) now becomes involved and assigns Agents Bill Mulderig (Bill Hickman) and Bill Klein (Sonny Grosso, the real-life inspiration for Cloudy Russo), who've worked with Popeye before; Popeye and Mulderig are at constant loggerheads because Mulderig blames Popeye for the death of a policeman in a previous case and doesn't believe Popeye's hunches to begin with.

Charnier, Nicoli, and Devereaux arrive in NYC and Devereaux brings with him Charnier's Lincoln, signed for in Charnier's stead. They speak fair English, but nonetheless have an interpreter, La Valle (Andre Ernotte), with them. La Valle escorts Charnier to a police auction of impounded cars and identifies Lou Boca as the scrap metal buyer for Charnier's business (suggesting how the Bocas may have linked up with Charnier).

After several days of monitoring mundane conversations, the wiretap finally brings Popeye and Cloudy their first break - Charnier phones Sal to arrange a 12 o'clock meeting the next day. Popeye, Cloudy, and Mulderig tail Sal to midtown Manhattan, where they spot Sal meeting with Charnier and Nicoli. While Mulderig follows Sal, Popeye and Cloudy tail Charnier, dubbed "Frog One," and Nicoli as they walk through the city. The Frenchmen stop to eat at an expensive restaurant, which the cops observe while standing outside in freezing temperatures and eating bad pizza with worse coffee. Later, Popeye finds out that Frog One is staying at the Westbury Hotel, but Mulderig still doesn't believe Popeye is on to anything, leading to a brief argument.

At Joel Weinstock's condo, a young dope chemist (Pat McDermott) tests a sample of Charnier's heroin and it measures to 89% pure. There are sixty kilos due to arrive; when cut down into "dime bags" it will total out to $32 million with a half-million cash down payment. Weinstock, however, wants to wait before the switch is made, much to Sal's displeasure as Sal fears that Charnier will abort the deal if Weinstock drags it out too long.

The next day Popeye arrives at the Westbury just in time to see Charnier breeze right by the distracted Mulderig and Klein and walk into the city without a tail. Popeye tails Charnier himself, almost loses him at a flower shop, but then picks him up again at the Grand Central subway station. They play a cat-and-mouse game on the platform, but the wily Charnier manages to hop back on a train at the last moment and waves goodbye as the furious Popeye futilely runs after the train.

Charnier meets Sal in Washington DC - Sal followed there by Klein - where Charnier insists that the deal must be consummated by the end of the week, despite Sal's protests that his mob pals want to wait. On the flight back to New York, Charnier expresses his worries to Nicoli, who points out that Sal's concern about the police is warranted. The Frenchmen agree that Doyle is the main problem, and Nicoli volunteers to assassinate Doyle. Charnier reluctantly agrees, unaware that a fight has erupted between Popeye and Mulderig, and that Popeye has been taken off the case by a furious Simonson.

The dejected Popeye returns to his Brooklyn apartment building, where he is fired upon by Nicoli from the roof. Popeye manages to enter the building and pursues Nicoli to the roof, and then back down when he sees Nicoli fleeing. Nicoli runs to a nearby elevated train station and boards the train while Popeye screams for a uniformed transit policeman on board to stop him. As the train leaves the station, the transit policeman follows Nicoli as he moves forward through the train. Popeye commandeers a Pontiac Le Mans from a flabbergasted citizen. Nicoli kills the transit cop and seizes the motorman, forcing him to keep the train going through all the regular stops. Popeye furiously pursues in the car, barely escaping as other cars sideswipe him, and he nearly strikes a woman pushing her child in a baby carriage. Nicoli then kills the conductor who tries to intervene, and the crowd on the train flees while the terrified motorman collapses with a heart attack, locking the train on a collision course with a stopped train. The two trains crash and passengers, including Nicoli, are thrown about. Despite injuries and losing his gun, Nicoli slips out undetected - by everyone except Popeye. Nicoli starts down the stairs but is cornered by Popeye, and when he tries to flee he is shot dead.

Popeye and Cloudy, now back on the case, tail Sal as he takes the Lincoln from a parking garage to a side street. The police stake out the car all night; at 4:10 AM a gang of thieves tries to strip it, but they are arrested by a horde of policemen and the car is towed to a garage to be searched as evidence. The mechanic (Irving Abrahams), cannot find any narcotics in the car, but Popeye refuses to believe it. While Devereaux (who signed for the car) and La Valle argue with the garage desk sergeant, Cloudy notices a 120-pound discrepancy between the car's listed weight and actual weight. The mechanic reveals one area he didn't open up - the car's rocker panels underneath the doors. Popeye chews him out and then helps open up these panels, and the stash is found. The car is replaced (either repaired or the department acquires another, intact one), the stash replaced, and it is returned to Devereaux, while the police now wait for the dealers to make their final move.

Devereaux meets again with Charnier and is reluctant to do any more favors, until Charnier reveals that Devereaux is now an accomplice - to Devereaux's surprise and horror. Devereaux walks away, but Charnier takes the car himself and drives it to Ward's Island, where Lou Boca directs him to an abandoned factory building. There the heroin stash is revealed and tested positively. The stash is hidden inside the building and cash payment is hidden in the rocker panels of the junker car Lou Boca bought. With the deal completed, the Bocas briefly celebrate and Sal drives Charnier back to the city - and right into a police roadblock led by Popeye. Sal drives back to the factory with police in pursuit, and the mobsters hide inside the main building while Charnier hides in a secondary building. A gunfight ensues, in which Sal Boca is shot dead. Popeye hunts for Charnier inside the dilapidated warehouse. Cloudy joins him as Popeye appears to have cornered Charnier, but as the two cops approach the room Popeye sees someone from another door. He opens fire before Cloudy can corner the now-dead man - who turns out to be Agent Mulderig. Determined to get Frog One at any cost, and not caring that he just killed a Federal agent, Popeye strides through the warehouse, believing the Frenchman is still in hiding. After he rounds a corner a single gunshot is heard.

In an epilogue, it is revealed that Weinstock and the surviving Bocas either skated or received peripheral sentences while Henri Devereaux wound up in federal prison for four years; Charnier escaped and is believed to be living in France, and Doyle and Russo were suspended from narcotics duty.

 5 ) 四大教科书场景:跟踪、飙车、拆车、枪战

这部1971年的缉毒警匪片击败了名垂影史的《发条橙》荣获当年奥斯卡最佳影片,同时还获得了最佳导演、最佳男主角、最佳改编剧本、最佳剪辑,总共5项奥斯卡奖。一部警匪片何以荣膺此等殊荣?

影片开头节奏很慢,一个被给予最多镜头的人竟然在3分钟后被不明就里的一枪打死。本片是根据真实案件改编,真实事件和编出来的故事相比有两大问题:一是可能缺乏戏剧性,二是往往人物太多。本片是这样处理的,各个方面的角色分别登场,多头并行,让观众对每个脸有个印象,直到后半部分才有交互。情节方面,本片其实淡化了情节,使其看起来比较散,同时给予极其纪实化的镜头,为了营造最真实的现场感。然后花费了重要的篇幅进行了四场令人印象深刻的大戏:跟踪、飙车、拆车、最后的枪战。

以下剧透。

男主角警察'Popeye'及其搭档跟踪法国毒枭的那一段戏应该已经成为了影史经典,并被后来者不断模仿。这段跟踪双方互相心知肚明,导演的场景调度很出色,让这段跟踪富有层次感,同时不断地通过双方的对比来凸显毒枭的沉稳和警察的暴躁,例如毒枭在餐厅内安逸的享用大餐,而在窗外马路对面蹲坑的警察只能啃热狗还愤怒的摔掉了咖啡。至于进出商店,橱窗前的踟蹰,穿地道等等桥段,在今天看来更是教科书式的。这段跟踪的高潮是地铁的上上下下,警察被毒枭耍的狼狈不堪。

飙车那场戏更是开创了时代,据说这是第一部在城市里飙车追逐的大戏,而且还是汽车追火车。在今天看来这种情节是烂大街了,不过鼻祖的这一段仍然十分精彩。大量采用车内的第一人称视角,让观众也狠狠过了把飙车的影,暴躁的Popeye一路上当然撞飞东西无数。这次Popeye的对手是一个同样暴躁的枪手,因为导演的纪实风格,枪手劫持火车屡屡开枪伤人这一常见桥段在本片显得极为震撼,浓重渲染了这名枪手的冷血与暴躁。

然后是拆车。查获一辆Popeye十分自信藏有毒品的车。为了找到藏在其中的毒品,警察使出了浑身解数把这辆林肯豪华车拆了个稀巴烂,从车顶到车底,从引擎到后箱,连油都放掉了还是一无所获。这时候镜头又对准了已经因为暴躁而不受信任的Popeye,大家一起感同身受了什么叫“压力很大”。

警匪动作片肯定要有高潮枪战戏。这场戏发生在一个废弃的工厂里,斑驳的厂房由于窗外透入的强力阳光而显得更加阴森凶险,这个场景给人留下了深刻的印象。我们的孤胆英雄救提着枪在这里追寻着令他无数日夜未眠的元凶。连发数枪,Popeye命中一人,过去一看竟然是一个和他颇有芥蒂的警察。误杀同僚之后 Popeye眼都没眨就继续追凶,电影也没给观众喘口气去想Popeye是追凶心切还是公报私仇。

影片在黑暗中的一声枪响中落幕,字幕交代,所有罪犯都获减刑,而元凶法国毒贩至今逍遥法外。这样令人扼腕的结局由于是真实事件改编而带来了更大的无力感。Popeye不是一个暴力狂,他的暴躁源于缉毒工作就是他的一切,而他冒着生命危险付出的一切换来的是这样一个结局,这个角色的悲剧色彩也就不言自明了。Popeye的饰演者Gene Hackman也凭借这种张弛有度的暴躁和悲剧色彩拿下奥斯卡影帝。我在后来者《洛城机密》里的拉塞尔·克劳身上看到了他的影子。

当然,奥斯卡给此片颁奖的最重要原因并非以上这些。要知道奥斯卡是社会文化意义高于艺术价值的。在毒品泛滥的二十世纪六七十年代的美国,这部电影拿下奥斯卡也就在情理之中了。

微信公众号:肥嘟嘟看电影(feidudumovie)

 6 ) 2020年1月16日晚,春节将至。

2020年1月16日晚!一整天疯狂的工作快让我灵魂出窍了,办公之余,遥控器乱点,随便找个电影看看,没成想还不错! 看欧美老电影有几个深切的感受,欧美国家的生活水平至少领先咱们30年以上(甚至更多!),50,60,70年代电话,电视,汽车,高速公路已经很普及了!以现在的审美来看,穿着打扮虽有些时代的沧桑感,但也不乏光鲜亮丽! 当看过太多的欧美黑帮贩毒电影的时候,就会发现香港电影的模仿痕迹太重了,这部电影里能看到好多香港黑帮电影里的犯罪,贩毒,警匪桥段,只是早期的香港导演为了更加迎合市场,把枪战,火拼,追车等等这些作料用的猛一些,让观众看得更加过瘾,但内核还是脱胎于这些欧美电影,记得有一部香港黑帮电影的配乐,就是直接用的《美国往事》的排箫! 看欧美老电影有一点让我不舒服的地方,就是演员基本上不认识,影片的前20分钟就是来相面的,严重影响观影体验!不像看华语电影,演员也都熟记于心,可以直接进入情节。 说了这么多跟这部电影也没什么关系,工作疲劳了,发发牢骚吧!😊

 短评

作为一部比教父还早一年的警匪片,能达到这个高度确实惊人,所有景都是实景,手提式伪纪录片式的拍摄,低落的结局,大量的追逐和动作戏,快速流畅的剪辑,这在当时那个时代简直无法想象。哈克曼的演技也为大家留下了深刻的印象,这种一个火爆一个内敛的警察组合让我想到了后来的很多电影,比如七宗罪。

10分钟前
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时代是残酷的,看惯当下的动作片再回头看这些个老电影,简直是折磨。

12分钟前
  • 读书的屠狗辈
  • 还行

罪犯和警察,或说作为男人,生命中只有事业与偶尔的女人。牛逼到不行的剪辑,特别是飞车追轻轨那场,超高速拼贴有没有。还有耸动到一度让我以为是恐怖片的配乐,一个简单的查案顿时非常惊悚。还好有时不时出现的CP卖腐,耐看程度想起恐怖笼罩巴黎。最后一次追凶很像法国或英国黑色电影。

13分钟前
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美国电影自20年代默片喜剧以来便形成起了一种以城市空间为运动载体,并着力呈现城市风貌与现代化设施景观特性的影像传统。在《法国毒贩网》中,此种运动感、速度性与城市景观的描摹进一步得到深化,摄影机随火车与汽车等交通工具本然地进行运动,在疾速游梭中勾连出城市空间的开放特性,而警探与逃犯的奔跑则迸发出一种亢奋而强烈的速度官能与具身化体感。正如鲍德里亚所说,速度已成为美国中产阶级的生活方式与核心表征。换而言之,在资本主义建制的渗透下,空间性、动作性、速度性已成为美国主流电影的基本特征。

16分钟前
  • 世界的焚像.
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三半,五十年前的电影,同期港片可是《新独臂刀》和《唐山大兄》,有着一样的大变焦镜头和情绪化音效,感觉比第二年的《教父》要更老派。是当代警察片鼻祖么,很多常见桥段:搜查假意殴打线人,征用市民车辆。是个纯粹的硬汉片儿,大力水手直接不花俏,没有烧脑不带私货。跟踪的几场戏非常《跟踪》,一对一比团队作战让人更为警探捏一把汗。诡异的是对比车辆重量最后找到毒品这个情节我看过。追车一段摄影机低角度就好像把观众挂在保险杠上,穿梭颠簸很刺激。我爱motown夜总会,快乐又blingbling

17分钟前
  • 山下猫
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这片子不简单...要重看...

22分钟前
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本片被黑泽明列入自选百大,“我记得它算是追车电影的先驱,车与车都以断脖速度相互追逐,动作桥段令人惊叹!当时许多美国电影都带精彩追车戏,它们强在细节刻画:怎样开车门,进入,驾离停车场,之类。我总说,如果砍掉这些追车戏,影片将只剩三分之二。”…而导演弗莱德金自己解释说,由于几年前彼得叶茨的《警网铁金刚》的双人追车太有名,他不想拾人牙慧,绞尽脑汁变换花样,将汽车追汽车变成汽车追火车。……个人偏爱剧中的黑色元素:法国老头,绅士优雅行事稳健家庭和睦坐享美食,但他是个毒贩;美国壮汉,火爆脾气不择手段未婚乱性站啃汉堡,但他是个警察!据说这种荣坏贬正的颠覆式拍法让哈克曼与弗莱德金产生了分歧。他希望塑造的那种偏正面的警察形象出现在换由弗兰克海默指导的续集。弱化了黑暗面,凸显了意志力,一定要惩恶扬善终极了断。

24分钟前
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直接而粗糙 同意大家所说的 精华全在那几段追逐戏上 然而相近的桥段在日后的致敬作中看过无数次啦 看到始作俑者一点都没激动起来 这种感觉像看“奥德赛阶梯”?

27分钟前
  • 周鱼
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我可以看上一遍又一遍又一遍又一遍。Cloudy一大早去Popeye家里给他当保姆呵呵呵当年还是可以表现不腐但非常和谐的金发黑发拍档的。大量街头偷拍,剧中流氓混混群众演员全是警察演的,哈克曼角色的原型演他剧中上司,另一本尊演去华盛顿的探员

28分钟前
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抛开教科书的地位不说,单就观赏性来看仍然是非常精彩好看的缉毒警匪片。好喜欢吉恩·哈克曼演的男主角,一股摧枯拉朽一路焚烧的偏执劲,最后看不见的那一枪就像狠狠一拳打在棉花上的无力感。

33分钟前
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2015经典重看之一。威廉·弗莱德金不是电影大师,但他是一个驾驭能力非常不错的导演,能够因类型而自我调整,《法国贩毒网》这样的写实警匪片,他能够拍出硬朗的风格,《驱魔人》那样的恐怖片,他也能够拍出诡异恐怖的氛围。

36分钟前
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【B+】那段汽车追火车的动作戏看得我瞠目结舌,震惊于创意和执行,这是1971年啊,居然拍出了当今科幻大片的范儿。

39分钟前
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当年的奥斯卡最佳影片,现在看来貌似没有什么特别之处,但这放在那个时代中,是有着其自身价值的。片子拍摄的很多场景设计都成为了经典,影响着后面电影的拍摄,比如警匪斗智、飙车追逐等,当然根据真人真事改编也是魅力所在,电影在毒品泛滥问题棘手的特殊时代出现,能得奖确实有着与纯艺术无关的成分

40分钟前
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威廉·弗雷德金代表作,击败[发条橙]拿下奥斯卡最佳影片、导演等多项大奖。1.运镜与调度教科书,后世警匪片范本。2.主要使用手持摄影,部分镜头由摄影师坐在轮椅上完成,均为实景拍摄,大量跟拍与快速变焦推拉镜头,真实感、临场感极强。3.多人交替跟踪戏非常给力(双方你知我知的角力,对橱窗、死角与人流的利用),而那场王牌对王牌的跟踪与(利用地铁开关车门时间差的)反跟踪更是精妙的设计。4.汽车追列车的段落运用交叉剪辑及追车主观镜头,且不少危险撞车均为未加人工编排的偶然实拍记录,张力太足了。5.楼梯下背后开枪的场景已成经典,而拆车寻毒场景也拍得让人急切不已。6.吉恩·哈克曼演绎的粗蛮执拗、以暴制暴的辣手警探也影响了无数犯罪片。7.纽约街景拍得十分迷人,最后那那座阴暗、漏水的废弃大楼也超有感。8.猝然枪声的收尾。(9.0/10)

43分钟前
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除了最后枪杀同事和开放的结尾,想不通为什么这片子会在奥斯卡击败发条橙,乏味之极

46分钟前
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纪实风。跟踪,追捕,守株待兔。放长线钓大鱼只是一厢情愿的努力和固执,终究道高一尺魔高一丈,片尾音乐也是此意,黑暗势力难以铲除,如鬼魅般存在。多推拉摇移镜头,介绍人物位置关系及强调作用。摄影机前置拍摄和手持摄影,临场感强,如汽车与地铁中的追逐。道尔更立体,执着、干劲十足,还好色。

50分钟前
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据传说,这是一部具有大量教科书式镜头语言的电影:追逐、跟踪、飙车、暴敛和沉静的警察搭档,反映时代背景的事件。这一切听起来都很美,可惜我在我的年代看到了更加精良、更加悬念迭出的创作,所以,对不起了。

54分钟前
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4.5 藍光版看得賊爽。街頭攝影太舒暢!紐約被拍的髒亂差但栩栩如生,手持鏡頭帶入感靈靈的。音樂其實特別擾亂心緒,但完美契合混戰追蹤。飛車地鐵追逐和一開始幾場跟蹤戲都拍得巨好,風格凌厲啊

59分钟前
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《法国贩毒网》改编自罗宾·摩尔于1969年出版的纪实小说《The French Connection》。除了两位主人公外,该片中的很多虚构人物都对应着真实人物,如贩毒组织头目夏尔涅的角色原型就是后来在巴黎被捕的毒枭吉恩·杰汉、法国电视明星德布罗的角色原型就是曾在美国服刑4年的法国电视演员雅克·安琪文。

60分钟前
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7.8,其实这就是一个典型的类型片,人物刻画还算丰满,纪录片式的拍摄手法在当时也算新颖,于是成为了类型片的教科书

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