镜子的另一面:纽波特民歌艺术节1963~1965

正片

主演:Bob,Dylan,Joan,Baez,Judy,Collins

类型:电影地区:美国语言:英语年份:0

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 剧照

 剧情介绍

镜子的另一面:纽波特民歌艺术节1963~1965电影免费高清在线观看全集。
"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.爱你的那天基督山伯爵 下集身为悲剧始作俑者的最强邪恶BOSS女王为民竭心尽力我要成名粤语奇异世界历险记夜校雪莉 2024戏如人生 DVD版秘密花园玉面桃花总相逢(卫视版)吸血鬼猎人巴菲第二季黑豹影匿人生年轻的亚当李小龙--死亡之谜舞法天女之璀璨甜蜜灵能百分百II致命拜访走火入魔我欲为人第一季京城81号2(国语版)匆匆那些年来自另一个星球的女孩碰撞地球稻浪上的梦想家非同凡响警察不好当医馆笑传2给爸爸的信国语偷摩托车的人小镇谜团第一季菜园子张青快乐之路莫莉2017我自己;你自己二见钟情迷航昆仑墟办砸了最完美的离婚2014特别篇我的狗狗我的爱正义联盟(原声版)青年黑杰克国语醉拳网商雷古洛思奥特曼窈窕淑男

 长篇影评

 1 ) 剧情介绍

在这部镜子的另一面:纽波特民歌艺术节1963〜1965片中,1965年纽波特民俗节上的“鲍勃·迪伦上电”是摇滚历史上那些具有划时代意义的时刻,似乎每个人都听说过,但是似乎很少有人知道这不是我们仅凭口口相传的短暂事件-电影制片人默里·勒纳(Murray Lerner)记录了连续几年在纽波特音乐节的表演,而《镜面另一面》则收集了三年来,迪伦(Dylan)参加了著名的民间聚会,使我们能够通过民间场景亲眼目睹迪伦(Dylan)的崛起。观看Lerner的纪录片,最引人注目的是Dylan在36个月的时间里发生了多少变化。1963年在琼·贝兹(Joan Baez)旁边的下午,在“车间”里表演的年轻的民谣演员立刻变得神经质,犹豫不决,一边唱着罗的曲调,一边砍着他的原声吉他,给人群充满活力,却似乎不知道他在做什么。1964年,迪伦(Dylan)几乎拥有了纽波特(Newport),他显然知道这一点。他是电影节的话题,贝兹(Baez)和约翰尼·卡什(Johnny Cash)歌颂他的赞美(和他的歌),而他对舞台的指挥显然更强大,更自信,同时他的新作品(包括“手鼓先生”和“艾因” t Me,Babe”)看到他离开了起名的“抗议歌曲”。当迪伦的晚会结束后观众要求再来一次演出时(奥德塔和戴夫·范·朗克被安排跟随他),彼得·亚罗(Peter Yarrow)试图保持表演的进行,而迪伦则对观众的热情大放异彩,就像他迅速成为摇滚明星一样。到1965年纽波特音乐节(Newport Festival)来临之时,迪伦(Dylan)划时代的“像滚石乐队”(Like a Rolling Stone)开始扩大单打榜,而顽固的民间观众显然对他的受欢迎(和民粹主义)成功有两种看法。当手捧Fender Stratocaster的Dylan表演由Al Kooper,Mike Bloomfield和Paul Butterfield Blues乐队的节奏部分作为后盾的“ Maggie's Farm”时,喧闹却难以驾驭的数字激发了热情的欢呼和同样强调的嘘声的奇怪混合,尽管传说中紧随其后的“ Like a Rolling Stone”这个版本很混乱,但尽管鼓手Sam Lay很难找到凹槽,但歌曲仍在烹饪,尽管此后人群忠诚度的分野更加强烈。在这两个数字之后 迪伦和他的乐队离开了舞台,亚罗(再次担任MC)引用了技术问题(如果皮特·西格(Pete Seeger)确实如迪斯尼所说的那样强加了迪伦的权力,这里没有任何迹象。迪伦(Dylan)带着六弦的声音回到舞台上,演唱《手鼓先生》(Mr. Tambourine Man)和《这一切都过去了》(Baby Blue),然后消失在夜色中,没有任何评论。1965年,纽波特的很多观众都想让“老”迪伦回来,尽管他在音响方面表现出色,但任性十足,这显然使我们在电影开头看到的那位杂乱无章的半业余演员永远消失了,鼓掌表明,有更多的人想要看迪伦摇滚。勒纳的电影告诉我们我们已经知道的一些知识,但是在他职业生涯的关键时刻,这轻轻地揭穿了关于迪伦的一些神话,他的表演始终坚定而有力。不管您读过多少本关于迪伦(Dylan)在1965年的纽波特枪战的影片,看到这都是一次启示性的体验,莱纳(Lerner)都将这种档案材料集思广益。对于任何对Dylan或60年代的民间风景感兴趣的人,这都是必看的风景。

鲍勃·迪伦(Bob Dylan)从1963年至1965年间在纽波特民俗节上亮相的从民谣到摇滚乐手的变迁编年史。

年轻的Bobby。

 2 ) 年轻的Bobby

the other side of the mirror

另一部鲍勃迪伦的纪录片

个人认为比 别回头 要好

我第一次看<<别回头>>时,对他一无所知,现在眼睛里的全是他的喜怒无常,神经敏感和对多诺万的敌意戒心嫉妒 心想他这粉丝太私人了 喜欢他什么呀?

直到后来看了<< 没有方向的家 >><<我不在那儿>> 我才恍然,有点儿理解他。

镜子的另一边 这部 讲的都是年轻的Bobby

让人无法相信 他曾经那么可爱过 Joan也那么年轻 她作为Bobby的支持者 保护者 和他站在一起 是多么迷人的岁月 Bobby也会害羞地感谢观众 甚至最后被观众气到掉出了一滴泪

如张爱玲所说 如果你认识过去的我 一定会原谅现在的我 果然如此

 短评

好几次都让俺内牛满面

9分钟前
  • 小能猫
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蓝光修复

11分钟前
  • rockyao1986
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那个年代充满了我想要的一切

14分钟前
  • Lynch
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有爱情滋润的迪伦唱起歌来也笑得更甜了。

17分钟前
  • 空能花
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很珍贵的影像资料,正在读老美国志异作为补充材料是再合适不过的。

21分钟前
  • Tris
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大幕拉开,cute Baez

23分钟前
  • Jie
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哭哭

24分钟前
  • 手机克星小飞熊
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太棒了

25分钟前
  • K
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He's got to get an acoustic guitar.

26分钟前
  • nrty
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不需要更多表达,影像本事就在讲故事It's all over now, baby blue

29分钟前
  • 戴野藤
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bob 最牛逼的时期了吧~~65年那次插电现在听起来还不算太糟,感谢后来诸多牛逼乐队改变了人们对摇滚的看法~~~bob若是没有坚持己见被他人左右那就是对自己最大的sellout

31分钟前
  • FiΙTн
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Dylan 和 Joan一起合唱真的太美了。Golden age

33分钟前
  • UlyssessV
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Newport也好,民谣也好,一直不是只有Dylan一人。

37分钟前
  • [已注销]
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眼见他起高楼(63),眼见他宴宾客(64),眼见他楼拆了(65)。“宴宾客”,与Pete Seeger、Joan Baez、The Freedom Singers和Peter, Paul & Mary同台演绎Blowin'in the Wind(63)。与Joan Baez合唱With God On Our Side(63,64),It Ain't Me, Babe(64)。“拆高楼”,摇滚演绎Like a Rolling Stone(65)。

42分钟前
  • 希声
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we love you too

45分钟前
  • 皮埃羅
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这张非常好,63-64是鲍勃迪伦民谣王子的形象,从65年的《像一块滚石》开始,鲍勃迪伦成为超级明星。65年新港音乐节上的排山倒海的嘘声,可反射鲍勃迪伦打破镜像的压力和决心。美国的超级明星有自省意识,中国没有超级明星。

48分钟前
  • 卡里加里博士
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b站

49分钟前
  • 加我QQ
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第一遍: 没有《Don't Look Back》好。没能看到迪伦的heart and soul。第二遍: 清晰呈现迪伦在这三年中音乐上的历程,以及当时年轻人的反应。革命在革命的年代,也不一定能被认出来。迪伦坚持了自己,多厉害。

54分钟前
  • Dahlia
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时代。

57分钟前
  • MapleSaki
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u r the other side of my soul

1小时前
  • eryichashao
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