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More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院一败涂地玉女性重伤神之塔阴暗夏日火并我的双面童年卧底飞龙2爱渴地心抢险记（普通话）女子警察的逆袭投奔怒海粤语小小的我假日爱情圣徒1997开球（国语版）独酌亦可!神圣的偶像首尔乡巴佬澳门奇妙游扫兴者第二季旅行护士小狗之爱红星大奖2024美国崩溃以舞为言第一季侦探拍档将界
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 陌陌影视陌陌影视樱花影院6080影院一败涂地玉女性重伤神之塔阴暗夏日火并我的双面童年卧底飞龙2爱渴地心抢险记（普通话）女子警察的逆袭投奔怒海粤语小小的我假日爱情圣徒1997开球（国语版）独酌亦可!神圣的偶像首尔乡巴佬澳门奇妙游扫兴者第二季旅行护士小狗之爱红星大奖2024美国崩溃以舞为言第一季侦探拍档将界