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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院赌神之神2020公主为奴美丽人生2火星救援洱海情波得闲炒饭喜剧明星来自未来的故事少林僵尸天极泳池管理员神秘来客天使风云槟城艳粤语魔精攻击李小龙我的兄弟粤语阿娘使道传无尽神域人斩强袭魔女 胜利之箭作战我们仨成长不容易 第一季故园风雨后第一季哥们的糗事阿拉斯加野生动物救援
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院赌神之神2020公主为奴美丽人生2火星救援洱海情波得闲炒饭喜剧明星来自未来的故事少林僵尸天极泳池管理员神秘来客天使风云槟城艳粤语魔精攻击李小龙我的兄弟粤语阿娘使道传无尽神域人斩强袭魔女 胜利之箭作战我们仨成长不容易 第一季故园风雨后第一季哥们的糗事阿拉斯加野生动物救援