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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院极限乔丹2000主厨的荣耀·中餐季精武英雄（国语版）叶问外传：张天志（国语版）天堂之门斗破苍穹 缘起快乐年华我的公园好友在切瑟尔海滩上神探夏洛克第二季EYESEE～瞬间记忆搜查·柊班～陌生之地2015赫布里底群岛－边缘的群岛黄沙武士英语卜案100小时游戏连打挑战摇滚校园淘金记迷失太空2013黑狱悲歌第二季雪山飞狐之塞北宝藏 独家纪录片东邻西舍第七季五十公里桃花坞5女当家鬼迷心窍
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”陌陌影视陌陌影视樱花影院6080影院极限乔丹2000主厨的荣耀·中餐季精武英雄（国语版）叶问外传：张天志（国语版）天堂之门斗破苍穹 缘起快乐年华我的公园好友在切瑟尔海滩上神探夏洛克第二季EYESEE～瞬间记忆搜查·柊班～陌生之地2015赫布里底群岛－边缘的群岛黄沙武士英语卜案100小时游戏连打挑战摇滚校园淘金记迷失太空2013黑狱悲歌第二季雪山飞狐之塞北宝藏 独家纪录片东邻西舍第七季五十公里桃花坞5女当家鬼迷心窍