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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视樱花影院6080影院德里三人行铸匠浔风赤子心维普啦啦成为科斯托黑狱断肠歌2无期徒刑国语沃尔特都知道流泪的红蜡烛契妈不易做国语版硅谷 第三季康尼岛之子机器肉鸡第五季暗夜守护者：最后的英雄歪星撞地球第六季空中浩劫第二十四季逆青春007之俄罗斯之恋英语执手当年我在翁布里亚的房子沉底鳄好母亲恩赐2020我是老师国语跳，亲爱的天城峡疑案猎巫
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视樱花影院6080影院德里三人行铸匠浔风赤子心维普啦啦成为科斯托黑狱断肠歌2无期徒刑国语沃尔特都知道流泪的红蜡烛契妈不易做国语版硅谷 第三季康尼岛之子机器肉鸡第五季暗夜守护者：最后的英雄歪星撞地球第六季空中浩劫第二十四季逆青春007之俄罗斯之恋英语执手当年我在翁布里亚的房子沉底鳄好母亲恩赐2020我是老师国语跳，亲爱的天城峡疑案猎巫