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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院百变艾琳第一季一切没问题第一季最强王者临死！！江古田致命梦魇魔盒：隐喻笔仙Ⅱ国际搜查胆破心惊2幽国车站1994黑衣警探第二季致命逃亡逆时营救史泰登岛国王寻找阿尔塔米拉黑蝎沉默的条约杀人曲杏林血泪晚秋2010末栈之黑水假面骑士亚极陀雄起坂道上的阿波罗乌鸦配角物语
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院百变艾琳第一季一切没问题第一季最强王者临死！！江古田致命梦魇魔盒：隐喻笔仙Ⅱ国际搜查胆破心惊2幽国车站1994黑衣警探第二季致命逃亡逆时营救史泰登岛国王寻找阿尔塔米拉黑蝎沉默的条约杀人曲杏林血泪晚秋2010末栈之黑水假面骑士亚极陀雄起坂道上的阿波罗乌鸦配角物语